Ghosting: soften LH= play faster, improve vibrato - level Intermediate/Advanced

Posted on May 17, 2008 by Abigail McHugh-Grifa in Left Hand Agility/Articulation - Left Hand/Arm

Thanks to Richard Aaron

Practice without pushing the strings down to the fingerboard, as if every note were a harmonic, while maintaining normal bow weight and speed. This technique sounds absolutely horrible, but is great for training the left hand to be soft and relaxed. Have the student play for quite a while like this (perhaps an entire week) until this softness becomes a habit. Then little by little, add arm weight, without any opposing pressure from the thumb, so that at first the string is half-way to the fingerboard, then 3/4s of the way down, then all the way down, but only far enough to get a normal sound, no farther. The student will likely be surprised (if the teacher points it out) how little pressure is really needed to get back to a normal sound, because most students use way more force than necessary.

Because this practice method sounds so awful, most students are inclined to lighten the bow as well, which should be strongly discouraged. Keeping the sound big is an important ingredient for separating the two hands. Otherwise, the left hand will only learn to be light when the bow is also light, and in turn will likely squeeze whenever the student tries to get a big sound. Practice this way on anything and everything, but especially in fast passages and wherever vibrato is a problem.

3 Response to "Ghosting: soften LH= play faster, improve vibrato"

Anne Hanami Says:
June 7, 2008
Thanks so much Abigal for posting this tip. I've been trying to soften my lh but have little success. Really looking forward to applying this technique.
Dennis Connor Says:
June 12, 2008
Dennis Connor Says: Abigal, I have tried this approach, yet there appears to be difficulties in producing tone on the cello when lightly pressing non-harmonic notes. If bowing normally, it comes out with a raspy undesirable sound. the idea of a light application is a good one. One idea as to how to apply this would be to memorize the 1st 3 lines of Popper #40 (Harmonic Study) from the 40 studies of the High School of Cello Playing. Its designed to hit the Harmonics and provide good cross string coverage as well, it does a good job in loosening the left hand. Try it...You'll like it. Yours truely Chicago Cello (Dennis Connor)
Abigail McHugh-Grifa Says:
July 6, 2008
Dennis, you are absolutely right that Popper 40 is good for loosening the left hand and that ghosting produces a horribly nasty sound. What I like about it though, is that it can be used on any piece, including very difficult repertoire in which the cellist might be especially inclined to tense up and squeeze. Of course no one would ever want to play without pushing the string down in performance, but the process of going from no weight to just enough weight helps the student to find the point where he/she can have both a beautiful sound and a soft, relaxed hand.
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